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Angels in America Angels in America

“BRILLIANTLY ENTERTAINING!”

— Peter Marks, The Washington Post —

“FLAT OUT FABULOUS!”

— Ben Brantley, The New York Times —

3 DRAMA LEAGUE NOMINATIONS
INCLUDING OUTSTANDING PLAY REVIVAL

WINNER BEST PLAY REVIVAL
OLIVIER AWARDS

NATHAN LANE is revelatory, changing from one emotion to the next on a dime. When he is funny, he is hilarious. When he is scary he is scary. A Tony Award®-worthy performance.”

— Joe Westerfield, Newsweek —

FLAT OUT FABULOUS! Sometimes, just when you need it most, a play courses into your system like a transfusion of new blood. You feel freshly awakened, and when you hit the streets afterward, every one of your senses is singing.”

— Ben Brantley, The New York Times —

ANDREW GARFIELD is magnificent, a mix of mortal terror, a drag queen’s bravado and profound consciousness. A career high performance.”

— Ben Brantley, The New York Times —

“When characters are this vividly drawn, spending hours in their company is no hardship. Watching both parts of ‘Angels’ didn’t feel much different from falling into a novel or binge-watching a quality soap on Netflix.”

— Ben Brantley, The New York Times —

“Every single actor is spectacular!

— Barbara Schuler, Newsday —

3 DRAMA LEAGUE AWARD NOMINATIONS
INCLUDING

OUTSTANDING REVIVAL OF A PLAY
DISTINGUISHED PERFORMANCE, ANDREW GARFIELD & JAMES MCARDLE

WINNER
BEST PLAY REVIVAL
OLIVIER AWARDS

Angels in America Angels in America

A quarter-century after stunning the theater world, one of the greatest theatrical journeys of our time returns to Broadway in an acclaimed new production from the National Theatre. A politically incendiary play at the center of the American Canon, ANGELS IN AMERICA also manages to be, at turns, hilariously irreverent and heartbreakingly humane. It is also astonishingly relevant, speaking every bit as urgently to our times as it did when it first premiered. Tackling Reaganism, McCarthyism, immigration, religion, climate change, and AIDS against the backdrop of New York City in the mid-1980’s, no contemporary drama has succeeded so indisputably with so ambitious a scope.

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